The Reluctant Fundamentalist by Mohsin Hamid Those ideas fascinate me: the choices we make and actions we take that define us. After he’d walked away he heard the sound of a body hitting water and screaming, but still did not do anything to check on her or help, and the incident leads, eventually, to a downward spiral as he struggles to come to terms with the truth it reveals about him. Eventually he recounts a crucial moment in his life when he came across a lone woman in black, poised on a bridge, and instinctively sensed something was wrong – but did nothing. Though rather than a haunted sailor with a tale of misdeeds on the high seas, and the repercussions and penitence, Camus’s narrator was a Parisian lawyer, and initially recounts his glory days as “a man at the height of his powers, in perfect health, generously gifted, skilled in bodily exercises as in those of the mind.” But he too is haunted, not by an action taken – the shooting of an albatross – but by his own inaction. The opening to The Fall has something of The Rime of the Ancient Mariner about it: the sense that somebody is being accosted to be an audience, to hear a story and a confession. Those ideas fascinate me: the choices we make and actions we take that define us.” Both ‘The Sepulchre’ and ‘Posthumous’ begin with an identical line: “This is how it was, or will be.” I just loved that confidence – her flair and swagger and panache.Īfter he’d walked away he heard the sound of a body hitting water and screaming, but still did not do anything to check on her or help. Several stories are written in second person, and under the guidance of Oates ‘you’ are made to identify with a murder victim, a patient in intensive care, and a woman searching her family home for her missing father. I was intrigued by the allusion to Poe in the title, but nothing prepared me for the mix of literary horror, fantasy and gothic surrealism, or the incredible range and virtuosity of Oates. I still remember the moment I came across this book, in a (now sadly closed) bookstore on Lonsdale Avenue back in North Vancouver. The Collector of Hearts: New Tales of the Grotesque by Joyce Carol Oates In reflecting on the experience and selecting this list, I’ve picked examples of second person – and variations on it, such as first-person direct address – that have stayed with me, and others which served as influences and sources of inspiration along the way. The narrative voice was compelling and liberating, and the rest of the novel burned through me and flowed very quickly. But that opening was so effective, and the process of drafting it so thrilling, I found I couldn’t stop. The opening chapter, in which a young woman witnesses the death of her husband in a random stabbing on a London bus, was conceived in second person to serve as a tense and gripping opener, the classic ‘hook’ after which the novel would settle into a more traditional narrative style. It was more a process of intuition and discovery. But rules, as we all know, are made to be broken.Īll the same, in developing my new novel, Your Still Beating Heart, I can’t make any grandiose claim about setting out to break the rules by using second-person techniques. I’m one of the culprits: I can recall instances of guiding students away from writing in second person. At least, that’s traditionally been one of the standard (and overused) ‘rules’ of Creative Writing programmes, along with other gold-minted mantras like ‘show don’t tell’ and ‘write what you know’. For that reason, fledgling riders should best avoid trying such stunts, just as fledging writers are often advised against using second person. If you get some wobbles, become disorientated and lose control, there’s the risk of an embarrassing fail, with melodramatic results: tumbling and flopping, flailing all over the place, leaving a chaotic mess behind you on the slope (or on the page). If you pull it off, for the audience it’s breathtaking and exhilarating. Or, to apply an analogy more suited to my West Coast background (I’ve never tried any circus stunts, let alone a high-wire act), writing in second person is like attempting an audacious snowboarding trick. Second-person narration, in which the author uses the pronoun ‘you’ to seemingly address the reader and draw them into the story, can be a bit of a high-wire balancing act. Beautiful writing… stunning.” Miriam Toews
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On iOS or Android devices, you must tap the gear icon on the upper right-hand corner of your screen and search for “Audio Quality” in the settings menu. Moreover, you can access different audio quality settings for downloaded content when scrolling down this means you can customize your music experience even after downloading.Īdjusting the audio quality on your device only takes a few steps, regardless of the platform you are using. It will save your mobile data from getting exhausted. You can prefer a lower quality that will consume less data. If you are aware of how to download songs on Spotify, then you may already know that Spotify allows you to independently choose the audio quality level depending on whether you use WiFi or mobile data. If you’re experiencing this, adjusting the settings on your Spotify equalizer is essential to improve the sound quality. You may end up with a muddy or distorted sound. In most cases, the issue is due to the limitations of your playback device.įor example, suppose you’re using a budget-friendly pair of earbuds. Unfortunately, this common problem can occur when using an equalizer. When you’re trying to enjoy your favourite music, the last thing you want is for the sound to be distorted. You can turn up the low frequencies for a richer, fuller sound if you want to add more bass to thumping dance tunes.īy isolating and modifying these specific frequency ranges, you can significantly change your music’s overall tone and enjoy a more personalized listening experience. For instance, if your music sounds too “muddy,” you can use an equalizer to bring out the higher frequencies and create a brighter sound. This customized control over the frequency ranges lets you change your music’s sound signature to better suit your taste. You can balance specific frequencies by increasing, lowering, or leaving them unchanged. Spotify equalizer lets you handle a range of frequencies that can be boosted or cut within the track. Pulls feel more dangerous than they are, and that's good. But people are scared as heck by the time they've made 15 pulls. I would guess that something like 30 pulls is the median pulls to failure, although I haven't gathered systematic data about that. My estimate is that, in fact, you have something like a 90% chance of surviving 20 pulls in a Dread game. You can see this in Asmor's comment that a 10% chance of surviving 20 pulls seems high to him. When a player estimates that there is a 50% chance of failure, my guess is that there's actually more like a 10% chance of failure. "I think there's about a 50% chance of the tower falling on the next pull." "I think there are two, maybe three pulls left before it falls no way we're getting five." Those estimates are almost always wrong, and in my experience they're systematically pessimistic. In pretty much every one of those games, we hit a point where players were making estimates of the likelihood of the tower falling. I've run something like 15 or 20 games using Dread or variants on Dread. The big one: people systematically misestimate the odds of failure in Dread, because Jenga gives you information, but the information is opaque. (I suppose you could use a blackjack like mechanism, where there's information gained but a chance of failure? But that would be complicated to design.)ĥ. There's nothing comparable in a random mechanism. That process of investigating the tower, tapping blocks and so forth, is part of the fun, part of the tension. Often, in a Dread game, a player will want to make two pulls, but will test the tower a little and decide not to pull at all, or to pull only once, because the tower seems too dangerous to risk another pull. You get information from the tower as you try to pull. In my experience playing Dread variants, this came up regularly.Ĥ. Working as a team? Pull in ways that make the tower stronger, and avoid the easy pulls that make the tower weaker. In competition with the other PCs? Maybe you should make a nasty pull that makes it more likely that somebody else will knock down the tower (like leaving only one block in a layer very close to the bottom of the tower). (This could be summed up as "playing Jenga is more fun than 'roll a die, don't roll a 1'")ģ. That makes it a more interesting process. In an actual Jenga tower, sometimes you have a really wobbly, off-balance tower with lots of stuck pieces, and sometimes you have a really solid tower with lots of easy draws at the same point in the game. In a purely randomized system, the 10th draw always has the same odds of collapse. The fact that the player's tension increases the difficulty of the task also plays into this.Ģ. Maybe drawing from a bag of beads would get some of this, but in a traditional Dread game you have this physical experience of pulling on the tower that increases tension in a way that is, I think, greater than the tension of a high-stakes die roll or the equivalent. Jenga has, in my mind, five main advantages in Dread over a random system with similar characteristics (probability of collapse, etc.)ġ. I think any of the purely random options would in a sense work, but they all lose something. Like with the cumulative percentage chances or card draws, you can fine tune the curve however you like with either of those options. If you like, you could start with an all white bead bag, and have the first pull (or the sixth pull, or whatever) be the addition of a black bead. If it's black, the "tower falls." After a black bead, you reset the bag, but pre-pull the same number of beads as pulls in the normal game. If it's white, great, but it doesn't go back in the bag. It starts out with, for example, 100 white beads and one black bead. if the tower has fallen twice, you would pull six times before it goes live, so the next "pull" is the second d20 roll).Ģ. When "the tower is reset," you eliminate a number of dice equivalent to the number of draws you would make (e.g. A progression of dice rolls: first 5 draws you roll a d100. The best I've come up with is "if one of the players really doesn't want to draw from the tower because of shaky hands, they can delegate their pulls to another player (but still take the consequences)." That works, but it's a little frustrating all the way around (and it depends on player-player trust-you have to be able to rely on the physically drawing player to not throw the other player's character under the bus to reset the tower).ġ. I've spent a lot of time thinking about this problem, for much the same reason as Nagol, but I haven't come up with any good solutions. US AND INTERNATIONAL GOVERNMENT REGULATIONS PROHIBIT SUCH BEHAVIOR. WE DO NOT MARK MERCHANDISE VALUES BELOW VALUE.PLEASE CHECK WITH YOUR COUNTRY'S CUSTOMS OFFICE TO DETERMINE WHAT THESE ADDITIONAL COST WILL BE PRIOR TO BIDDING/BUYING.THESE CHARGERS ARE THE BUYER'S RESPONSIBILITY. IMPORT DUTIES, TAXES AND CHARGERS ARE NOT INCLUDED IN THE ITEM PRICE OR SHIPPING The City of Fawn Creek is located in the State of Kansas.WE WILL GET THE BEST PRICE OF SHIPPING TO ANY COUNTRY, THANKS. PRIOR TO PURCHASE, PLEASE EMAIL US TO CHECK HOW MUCH THE SHIPPING COST ARE FIRST , ( NO QUESTIONS ASKED) NO REFUND UNTIL ITEM IS RETURNED.Ī $25.00 RESTOCKING FEE WILL BE CHARGED FOR ANY BUYERS THAT BACK OUT OF A PURCHASE WITHOUT A GOOD REASON. 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WE FINISHED THE JOB AND DIDN'T MUCH USE FOR IT. THIS HILTI 6-S WAS BOUGHT TO FINISH A JOB A COUPLE MONTHS AGO. THIS HILTI TE 6-S HAMMER IS IN GOOD CONDITION. It’s the same concept as when you purchase an item online. If you need that timeline to be cut in half, for instance, then you can expect to pay at least 25% more. Speed is something you pay for, but I will say rushed design isn’t good design.ĭepending on the scope of the project and the designer, websites can take anywhere from 2-10 weeks to design and develop. Have you planned your website launch months in advance, or do you need a website launched yesterday? Tight deadlines will incur a higher rate for quick turnarounds. When you work with an expert Squarespace designer who also knows the ins and outs of SEO (ahem, like me ) you’ll pay more for a website, but the results will be 10x more valuable. Building a website without implementing at least basic SEO practices is detrimental to your online presence.Ī pretty website without an SEO strategy is like a sports car without an engine-it’s not going anywhere. Most Squarespace website designers don’t include SEO services in their packages, which is a huge loss to business owners. If you want your website to attract new visitors > who become leads > who become clients, then you need to invest in SEO. Search engine optimization (SEO) is an absolutely critical element to a functional website that ranks on search engines like Google. In some cases, the cost of that plugin will be passed onto you. However, if the web designer you hire doesn’t know how to code, they’re likely to purchase a plugin from Ghost Plugins or SQSPThemes to achieve the desired result. Code is what turns a standard Squarespace website template into a customized work of art. In this case, you’ll want to work with an expert Squarespace web designer who knows how to write custom code (e.g., CSS, Javascript). Meaning, you should expect to pay more if your site requires premium features. Custom Features and FunctionalityĬustom-coded features and functionalities can significantly increase the price of a Squarespace web design. Designers will charge an average price per page based on how many pages are needed and what each page will entail, such as custom features & functionality. In general, web designers don’t charge a different rate per page. Page count matters because it increases the workload and, therefore, the cost of your website. Naturally, if you only need a simple one-page website, you can expect to pay much less than a 10-page website would cost. If you want an accurate estimate for your web design project, keep a page count in mind when you connect with a Squarespace designer. Here are the top five reasons why websites cost “so much.” (I put “so much” in quotes because the price people think is a lot to pay for a website isn’t even close to what sites should be valued at). Before we can answer the question, “How much does a Squarespace website cost?” we need to answer the question, “WHY do websites cost so much?” You’ve got a business that you’re ready to launch, but you live in the 21st century, so you need a website first. What’s the going price for a custom Squarespace site?ĥ Factors That Determine The Cost of a Website How much do Squarespace web designers charge? What factors determine the cost of a website? In this blog, we’re answering all of your burning questions about website costs and Squarespace designer rates: What kind of impression do you want your website to make? And it’s usually the first impression a customer has of your business. Websites are the central hub for businesses-a virtual handshake, business card, and hello to potential customers. Websites are incredibly beneficial for businesses of all sizes, but not everyone is well-informed on the cost vs. Today, that rate is nowhere near the value of what a website offers to a company. Which, back in 2017 looks like it would have been reasonable. In my experience, most people expect to pay around $3,000 USD for a website. Those are extreme ranges, but notice that the lowest price point 5 years ago is now 6x higher in 2022! According to WebFX, websites in 2022 cost between $12,000 and $150,000. In 2017, HuffPost said that a website should cost somewhere between $2,000 and $30,000. The question becomes: how much are you willing to invest in a website for your business? Websites are no longer optional investments for businesses, they are essential to survival in the digital age. As far as enjoying the job, I do enjoy certain aspects of it. But basically you can expect about $700 per week for your first year. I am currently on a 11.26hr run, So that means more money. I like picking day by day work because the option for better work opens up. This pick I am on the Extra Board, which opens up the potential for more money. On my last 2 picks I was on 8.15hr runs, After taxes and deductions, I was bringing home about $1300-$1500 per pay period. I am at a very busy depot and overtime work is consistently offered. You will most likely get what's left over which are basically 40hr runs. So the first couple weeks were good because of line training you will be paired with a top seniority operator so you will be making hours. So I just cleared my first year of probation this week. I'll chime in on my experience as a rookie. There's not really a definite answer to your question as it all varies but believe me you will be financially sound provided you follow the directions and procedures to survive probation.Īs far as liking the job, I enjoy the aspect of driving and I actually like some challenge so every trip is interesting in some form. My current work week is roughly 43 hours but the fuel line every night tends to add on to that, I can easily break 45-46 hours a week.īlowing/missing your lunch break because of traffic (this is going to happen to you a lot during your first year) also gets you paid for the entire thing so you'll definitely be seeing some extra money on your check. Unless your runs are boosted (meaning the actual shift is shorter than 8 hours but you still get paid for 8 regardless) you will more often than not end up making more than 40 hours a week. I am currently entering my second year and I'm sitting around 26-27/hour- current start rate is 24 and some change with another bump coming in May according to the recent contract.Īs far as pay goes, your hours will be all over the place due to many factors. On your fifth year you will be on a top pay salary.īeing a Dispatcher (46.00$ An hr) is more money, but you can only become a dispatcher after your third year and take a promotion exam when its available. Covid has put more opportunity for bus operators to earn more. I’m on my fourth year (31.98$ an hr) and for 2020 I made 100k for the year and thats all from busting ass by putting in hours. We earn night differential, articulate buses pay (2$ more) if you’re operating a articulated bus route. Overall we make money if you know how to. For example you can pick a run and route that pays 50 hours a week, but that determined the depot and your seniority peg. Your pay (23$ an hour) is based on the route and run. That means, you want less time on the bus to avoid accidents or incidents. The first year as a rookie, don’t expect to be rolling big money since the ideal is to pass 1 year probationary period. I expect to get married soon and eventually have a kid or 2.just wondering if im making the right choice with this job financially.Īlso.those of you on the job, Do you like the job? Ive been searching high and low and still cant find a solid answer as to what kind of pay to expect from this career. I am currently on the NYCT Bus Operator list and just curious if anyone can give a detailed run down of the biweekly pay? After taxes for a rookie bus operator.and top pay bus operator biweekly. There isn't any support for installing VirtualBox into a target directory. Next rebuild VirtualBox and install it into /Applications/OpenSource/. You can prevent that by adding the following to LocalConfig.kmk: Starting with VirtualBox 4.1, extra debug symbols are created. It may also make sense to disable some of the development only stuff, like test cases. VBOX_PATH_APP_DOCS = "/Applications/OpenSource/VirtualBox.app/Contents/MacOS" VBOX_PATH_SHARED_LIBS = "/Applications/OpenSource/VirtualBox.app/Contents/MacOS" VBOX_PATH_APP_PRIVATE_ARCH = "/Applications/OpenSource/VirtualBox.app/Contents/MacOS" VBOX_PATH_APP_PRIVATE = "/Applications/OpenSource/VirtualBox.app/Contents/MacOS" If you like to change that, say into /Applications/OpenSource/VirtualBox.app/, you need to add the following to the LocalConfig.kmk: The default install directory of VirtualBox is /Applications/VirtualBox.app/. Hardening needs some additional configuration and post-build steps. Never disable hardening (see previous section) when creating packages for redistribution. Enter out/darwin.x86/release/dist/VirtualBox.app/Contents/MacOS/.Execute and make sure the modules loads successfully. These can be found in out/darwin.x86/release/dist along with a small script ( loadall.sh) to load them. Load all the kernel extension modules.The default is to a release build, should you wish to do a debug or profile build add BUILD_TYPE=debug or BUILD_TYPE=profile as argument to kmk or export it as an environment variable in your shell. Whenever you want to build VirtualBox, you have to open a shell and source the generated environment setup script env.sh, i.e.This step only has to be done once (if something changes in your build tool setup, you might have to repeat it but keep in mind that both output files will be overwritten). Also, it will create an environment setup script called env.sh. If it finds everything it needs, it will create a file called !AutoConfig.kmk containing paths to the various tools on your system. You can manually set the target architecture with -target-arch=x86 or amd64, if some architecture related problems occur. Change to the root directory of the sources and execute the configure script:.If you are running 10.10 (Yosemite) there is a boot-args option for allowing the loading of unsigned kexts. Loading self-built kernel extensions (kexts) on more recent OS X may require changes to the system config unless you have a kext signing certificate and is running 10.14 (High Sierra) or earlier.įor 10.11 (El Capitan) and later boot to the recovery partition and either enabling loading of unsigned kexts:įor 10.15 (Catalina) and later you also need to disable the reboot requirement (also from recovery partition):.Sudo port install libidl acpica yasm subversion doxygen texlive texlive-latex-extra texlive-fonts-extra x86_64-elf-gccĭoxygen, texlive* and x86_64-elf-gcc are optional (first two for documentation, latter for the validation kit). Until recently the official builds were done using Xcode 6.2 (you may use the tools/darwin.amd64/bin/ script to 'install' the necessary bits on later OS X versions).Īfter installing MacPorts, do not forget to make sure the following two lines are in your ~/.profile or ~/.zprofile file and actually loaded in the shell you're using:Įxport PATH=/opt/local/bin:/opt/local/sbin:$PATHĮxport MANPATH=/opt/local/share/man:$MANPATH Xcode matching your Mac OS X version ( ).10.10.x (Yosemite) or later running on Intel hardware (PowerPC hardware is not supported nor is building an X11 variant). Mac OS X build instructions Prerequisites on Mac OS X To find out and kill related background process(es), you can run Activity Monitor (located in /Applications/Utilities folder) instead. To quit an app, the common way is to right click app icon on the Dock and choose Quit option. Why I cannot delete Liquid Rhythm 1.4.5.3? Being prompted that “The item Liquid Rhythm 1.4.5.3 can’t be moved to the Trash because it’s open”? This message occurs because Liquid Rhythm 1.4.5.3 (or its background process) is still running. This act is irrevocable so you must do it with caution. Note that the moment you empty the Trash, the app will be permanently removed from your Mac. During the process, you may be prompted to enter an administrator’s password to make the deletion take effect. Or choose right click Trash icon, choose Empty Trash, and Empty Trash again in the pop-up dialog.īesides, you also can trash the app from the Launchpad interface. Step 5: Choose Finder > Empty Trash from the Menu bar.Step 4: If prompted, enter administrator password and hit OK to allow the change.Also, you can right-click/control click Liquid Rhythm 1.4.5.3 icon and then choose Move to Trash option from the sub menu. Step 3: Search for Liquid Rhythm 1.4.5.3 in the /Applications folder, then drag its icon to the Trash icon located at the end of the Dock, and drop it there.Step 2: Launch Finder on your Mac, and click Applications in the Finder sidebar.Step 1: Quit Liquid Rhythm 1.4.5.3 as well as its related process(es) if they are still running.Here’s the regular steps to uninstall Liquid Rhythm 1.4.5.3 on Mac: In most circumstances you can take the drag-and-drop way to delete Liquid Rhythm 1.4.5.3 from your computer. Most Mac apps are self-contained, and the trash-to-delete option works on all versions of Mac OS X and later. Question 1: How can I uninstall Liquid Rhythm 1.4.5.3 from my Mac? So, when you decide to uninstall Liquid Rhythm 1.4.5.3 on Mac, you will need to tackle the following two questions. The trash-to-delete method may leave some junk files behind, resulting in incomplete uninstall. That means, if you simply trash the app and think the removal is done, you’re wrong. Additionally, some apps may create supporting files, caches, login files scattering around the system directory. General knowledge: Once installed, an app is typically stored in the /Applications directory, and the user preferences for how the app is configured are stored in ~/Library/Preferences directory. If you have no clue how to do it right, or have difficulty in getting rid of Liquid Rhythm 1.4.5.3, the removal solutions provided in the post could be helpful. This page is about how to properly and thoroughly uninstall Liquid Rhythm 1.4.5.3 from Mac. Removing applications on Mac is pretty straightforward for experienced users yet may be unfamiliar to newbies. Perfect Solutions to Uninstall Liquid Rhythm 1.4.5.3 for Mac A few options include a subtle side part with a little extra length on one. Still not sold? Check out these celeb cuts to inspire your next trip to the hair salon. From blunt cuts to wavy lobs, find out which bob haircut is the best for your. Whether it's a worn with a deep middle part and textured waves or sleek and classically straight, the blunt cut bob is a surprisingly versatile hairstyle. But the secret to the bob is that with the right cut, it can look good on anyone. If you are used to having long hair, the bob can feel like a very drastic risk. Shoulder-Length Spiraled Bob Save modernsalon While having a curly style with straight bangs used to be seen as a faux pas, it can work with shorter styles because it helps to blend different layers. But it's our modern era where the bob has really come back in a big way.Īnd why not? Not only is the haircut about as low maintenance as they come, but the face-framing style also draws the eye to your lovely features. Blunt-Cut Lob Toth warns that a center part paired with straight hair generally makes strands look flat and thin, but Joan Smallss long bob (colloquially known as a 'lob') is the. Step 2: Take a round brush and get rid of any knots around your hairline. Also, make sure that your overall hair volume is the same on both sides. If not, make sure your hairdresser gets it right and straight the next time you pay them a visit. There was a brief resurgence of the bob in the '60s thanks to another celebrity hairdresser, Vidal Sassoon, and it was sported by the likes of singer Diana Ross, actress Barbara Feldon, and designer Jean Muir. Step 1: Make sure your hair is properly cut at your desired bob-length level. With the economic depression of the 1930’s, the style went out of fashion. The short, not quite shoulder-reaching haircut became synonymous with The Roaring '20s flapper - a new type of fun-loving, fiercely independent young woman who wasn't afraid to stray from society's strict conventions. The snip heard 'round the world came in 1909 when Polish celebrity hairdresser Antoine de Paris started giving his chic, cafe-society crowd a chin-length cut inspired by Joan of Arc. 01 of 20 Lana Condor Jon Kopaloff/Getty Images Beachy waves and strategic layers add a bit of texture and movement to Lana Condors center-parted bob with blunt ends. Although we aim to hold plenty of stock, our stock moves quickly. The traditional-style hardware that we showcase are true & faithful reproductions of classic hardware pieces found in the many homes from across America throughout the past century. Antique brass cabinet knobs - Round drawer knobs - UK made Home / Distressed Antique Brass Cabinet Knob £26.50 Size Small 25mm Medium 32mm Large 38mm Extra Large 50mm We Ship Worldwide This product is crafted in a Midlands foundry. Hardwick & Sons is pleased to offer vintage-style hardware for the many people who desire to fashion their homes with charm, quality, & style. 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This high quality hardware is cast in solid brass and made entirely by hand for a unique finish. Antique Cabinet Knobs We have an extensive collection of antique cabinet, furniture, window and door hardware to suit every type of restoration project. Made of high quality brass, this stylish knob has a smooth & attractive look & feel on a pedestal shaped base. Knobs 3/4 Inch Diameter Unlacquered Antique Brass Cabinet Knob. The classic & traditional brass cabinet knob in an antique brass finish. |
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